Carcass necroticism megaupload

Colored Sands by Gorguts. Phantom Indigo by Seputus. One word Love this album back in the day and still one of my fav death metal releases!

Bandcamp Daily your guide to the world of Bandcamp. No matching results. Explore music. Get fresh music recommendations delivered to your inbox every Friday. Martin Kelly. Fascinated by the name of the album!

Now, 30 years, get around to listening and it does not disappoint! What wonderful tunes. What growly vocals. And love the bursts of speed guitar! Great Christmas listening music. Thank you. I find all this soothing, actually. Baphometwolf Sound as a Pound Earache. Absolutely genius album. Unmatched to this day. Scholar Of Hyperion. Kevin Thomas. Amon Sludge Mouf. Satanic Doberman. Joshua Ingram. Wannes Kolf. Kris Faust. It's unrelentingly intense while allowing room to breathe. Heavy as an anvil on your ballsack, but never sacrificing melody.

This music goes somewhere - no static riffing. Buy it in a physical format. The artwork is truly beautiful. Starspawn by Blood Incantation. This is magical, almost esoteric. Planetary Clairvoyance by Tomb Mold. Butt-Head- Tomb Mold is heavier than beavis's mom these guys rule!!

Beavis- Hey shut up Butt-Head! Colored Sands by Gorguts. Phantom Indigo by Seputus. Litourgiya by Batushka. The Best Batushka album so far. A Black Metal Classic!!! There are few albums that I can listen to from start to finish without skipping a track and this is on the top of the list. You almost have to listen to the album as a whole.

Bandcamp Daily your guide to the world of Bandcamp. No matching results. Explore music. Get fresh music recommendations delivered to your inbox every Friday. Necroticism - Descanting the Insalubrious by Carcass. Marcus Wilson. Marcus Wilson An absolute classic from that I've wanted on digital download for some time.

I loved it back when I was 15 years old, and I love it now aged Carcass's take on death metal was always a bit more out there compared to a lot of the other bands of the time and this is their masterpiece.

Favorite track: Corporal Jigsore Quandary. There would be no modern death metal if not for this album, period. Mortuus Goo. Mike Revolt. Jake Walter. For me, I consider this progressive death metal. This is how the band viewed it, and I, for once, agree with a band's interpretation of their own work.

This is very intriguing to me that a band that, only a few short years prior, had played grindcore averaging less than two minutes a song. These songs aren't just long, they are epic. These songs are generally quite varied and some, Incarnated for one, would have made Mercyful Fate proud with it's five minutes of frequent changes.

Part of their evolutionary process that fascinates me is how each album influenced the gore spectrum. Each of their first three albums influenced countless bands who all claim the gore mantle, but they each fall into different schools. For example, Aborted was a devotee of this album. They played a slightly melodic, surgically grotesque brand of death metal for a time. They were easily and often referred to as gore metal, yet no one would have mistaken them for Regurgitate.

They worship at the temple of Reek, and they play a raging, disgusting form of grindcore. They are also a respected member of the gore spectrum of metal.

All of this can make for some interesting taxonomic puzzles, but that was the beauty of Carcass' evolution. The production on this album is very interesting to me. It is much better than what they'd had before. It is rather clean and very heavy. Normally, I'm not sure I'd be as fond of this type, but it fits the music like a glove. This cannot be overstated. This album gives you the feeling of being in an abandoned hospital.

This is a very fine line to walk, any heavier would have given it an industrial feel, and I would be repelled. Any cleaner, and I would be just as unhappy. But no, they got this perfectly. They really got almost everything perfect in this album. If functions as the Everest to Sickness' K2. This is what you want to climb, but it can also be the K2 itself. As much as I love this album, my two favorite death metal albums came out this year. This is the runner-up, though still amongst the absolute metal masterpieces.

This stacks against the peaks of any of the Big 4, and many other metal bands. I would recommend this to people who enjoy extreme metal of any variety, as this is that great of an an album that they should all hear and enjoy. Does that mean it is the ideal album for Carcass newbies to check out the band and become familiar with their sound?

While this may pose a problem for some listeners at first, it also makes this record much more intriguing in the long run. Special mention goes to drummer Ken Owen, whose blast beats are arguably among the most impressive you will hear in extreme metal. Carcass once again delved deep into their medical dictionaries and the stories relayed here are delightfully distasteful and perhaps entirely too gruesome for some of the more sensitive types out there.

Nice, very nice. Oh, and did I mention that the solos are even given names in the booklet? Another noteworthy aspect are the spoken-word intros to most of the songs, which are basically sound bites of pathologists talking about bodies in varying stages of decomposition.

They add a nice little wrinkle to the album, enhancing the atmosphere the music and lyrics try to convey. It is not easy to fully grasp and takes a while to get into, but once you do, you will surely realize how absolutely essential it really is.

The album in the middle, out of Carcass' five releases where they genre-wise kind of change from each album, this is what I would call the definitive Carcass album. As the band is widely known for their melodic death metal and grindcore this album takes part in death metal, and it does it fucking right.

Most of the tracks on the album got a little introduction with some people talking, on some it is for example pathologists. I don't know whether these sound clips are from a movie or something the band had specially recorded for the album.

Either way it is something I find crucial in some way for the record. Instead of recognizing the starting riff of a song you might recognize a conversation between some pathologists talking about assembling decomposed bodies, or something else Since this is the first album to feature Michael Amott, it can easily be heard that he has joined since his solos are more melodic than Dr.

Maybe it was the arrival of Amott that became the reason why the band got "softer" and maybe not, but if Carcass had just released grindcore albums I think they would just have been a flash in the pan, and not seen as the legends they are today, whether you like melodic death metal or not.

Unlikely for Carcass, the album also feature the longest songs the band ever released, going all the way up to 7 minutes. When you listen to some bands and their longer songs you can hear it right away because you get bored, but it is not like that on Nercroticism.

There is two tracks that lasts over seven minutes and they don't seem that long, the first time I looked and saw it lasted that long, I was like "huh Far from, and that goes for the whole album!

I never really liked the gore covers to be honest, I can't see the cool thing in them They are just ugly and meaningless. As seen, this cover features a pathologists having some hammer smashing fun with a photo of the band. It's not really a spectacular photo, the bands name is not even eye popping. A pretty 'meh' cover, and I really think this album deserves a better cover.

But to face the fact, Carcass just never were good at covers. There is not really any songs I would like to pick out from the album, even though there are songs that stand higher than others. If I recommended two-three songs you would be wanting more, so go through the whole record. It is something you won't regret, since this death metal album is a jigsaw that has been perfectly aligned and assembled.

Written for The Legacy Reviews. Suffering a particularly bad case of the Baron Munchausen's, I allow myself to be coaxed back into the tender mercies of Liverpool's limber-fingered lanceteers. For many Carcass fans, "Necroticism - Descanting the Insalubrious" will be our Fearsome Foursome's finest hour - by , Carcass had expanded to a quartet - where the balance of technical mastery, production, brass-necked cheek, brutal and aggressive delivery, and the sheer joy in going where no sane human being had gone before and few have ventured since was achieved and maintained consistently over an entire album.

Earlier albums have more flow and sparking electricity, and "Reek of Putrefaction" will always be my personal favourite for its filthy sound and the improvised nature of the slipshod music that barely holds together, but compared to the album under review they can be uneven and erratic, and the production on them does blunt the band's full brutal force.

The music is dense and suffocating with deliriously sick lead guitar solo melodies, passages where Ken Owen's pulverising drums take your brain to another level of trance-like zombiedom and Walker's deranged slavering vocals.

The next few tracks are more business-like in sheer brutal guitar battery, Bill Steer and Mike Amott trading riffs and solo breaks, Owen coming into his own as a capable drummer able to lead and support the others, and Walker's bass somehow managing to keep up with the sheer force of the music while he's singing the convoluted lyrics.

Coincidentally or maybe not so, I'm writing this review at the same time two news articles involving pigs exploded across the Internet: one involved a hapless Oregon farmer and his pound porkers, the other about a man in Tasmania, Australia, who helped a friend get rid of a murder victim's body using Of course, in some contexts, "pigs" can mean some other kind of animal, not necessarily of the four-legged kind A weird kind of virtuosic romanticism, sort of reminiscent of 19th century Romantic composers dying for their art as they strove to create impossible concertos while wracked with hacking tubercular coughs, hovers over this track.

There are indeed filler pieces on this album but the standard across eight songs is very good and even lesser tracks like "Lavaging Expectorate of Lysergic Acids" oh, spit! On all songs, the band plays as an almost organic whole with no-one player flagging behind. There is plenty of space for Steer to take off on flights of shrill if sickening guitar fancy and Amott gets a few lead breaks as well.

Towards the end there is an indication of the musical direction Carcass were to take on "Heartwork" with the guitars forming a solid impenetrable attack force, very martial and stiff and not to my liking at all. While most songs have lyrics revolving around dismemberment of cadavers and the joy therein to be found, the more interesting lyrics in tracks like "Inpropagation" involve exploiting human flesh and body parts for profit or plain self-centred greed. I couldn't tell you what the name of the album means, and I'd be willing to bet that you couldn't either without using a medical dictionary.

There is a lot to say about this CD. First of all, it was released in — which was a great year for the world of death metal. Carcass had such a unique style on this album, and that is one of the reasons that this release is so enjoyable.

Carcass decided to include spoken audio tracks at the start of some of the songs on this CD. They're pretty cool and sometimes add a lot to the tone and feeling of the song, but some of them seem forced. This isn't a big deal, but it definitely is a cool approach that could've probably been handled slightly better. For the record, the spoken audio tracks at the beginning of the first and second songs are the ones that are pulled off the best. The drum work fits brilliantly with the brutal riffs.

The guitars have a certain tone all throughout the album: they sound as if they're grinding down skeletons with their riffage. Maybe not, it's hard to explain, but it's definitely a cool tone that adds a lot to the music. The vocal approach is grotesque in the best possible way anything could be described as such. There are plenty of guitar solos for everyone in these epically long and brutal songs.

The pounding drum beat at the beginning is more than enough to get me pumped. Also, both in the first song, this song, and just about every song to follow, the riffs are actually catchy and you will notice a slight turn toward melodicness which really adds a lot of interesting parts into this CD.

Let me explain, this song is about writing a masterpiece of music played on strings made from human remains. When I listen to this song, I feel as if the band actually went out and murdered somebody and then proceeded to craft an instrument from their corpse, and they are recording the song with that corpse-instrument. I can't really describe all the feelings that this CD gives me.

It's creepy, yet at the same time catchy and highly headbangable. That's all I can really tell you, you'll have to hear this album for yourself. Necroticism - Descanting the Insalubrious is definitely a classic, and arguable Carcass's best work. If you're looking for something new to listen to, I'd definitely recommend giving this a listen.

Holding an unassailable position as the kings of deathly grind, this is a group that has both redefined and exemplified the music with a sickly cloud of rot and odorous decay hanging about it. Certainly, they are one of the few who deserve the endless bloody rain of praise poured down upon — their influence on the modern melodic death scene and the murky confines of the grindcore underworld is utterly irrefutable. While the over-the-top titles are absent, in their place is a far more surgically precise kind of description, equally graphic in their gruesome detailing of decomposing, decaying human bodies.

This is helped in large part by the sound itself: herein the listener can find one of the finest, heaviest production jobs that Colin Richardson has ever put his stamp on, with each instrument ringing out as clearly as the one alongside, all the while retaining one of the meatiest and most satisfyingly crunching guitar tones ever heard on record. The additional interview samples opening almost every song are the cherry on the cake of the production.

As players, Carcass were on the very pinnacle of their game here. Ken Owen gives one of his best performances ever, adding a variety and flair into his drumwork though his forays into hyperspeed are not completely absent , and his fills are as stunning in their power as they are in skill.

All of these elements combine to make one utterly sublime masterclass in death metal artistry, one of the true, inarguable classics of immense significance and historical importance in heavy metal. Truly the greatest Carcass album of all time, and one of the best albums you will ever hear in your entire life. Wow, talk about progress. Almost everything dirty and filthy had vanished since their previous "Symphonies Of Sickness" album. The last remains of grindcore almost gone.

Jeff singing most of the material with his Kreator-inspired vocals and Bill playing one briliant lead after another. Carcass had transformed into a raging death metal group. On this album it also became obvious the boys knew how to play their instruments. The addition of mr.